Who is afraid of new media (bis)
Kind of difficult to escape in the new media festivals or lectures to the supposed « crisis » of new media, Interact or die was the motto of Deaf this year, and « New media Arts at Crossroads » was the title of Geert Lovink’s lecture for Argos, i wont paraphrase him here, because when i did in a previous try out of this post, it looked as if i endorsed this complaint, this self defensive or self whipping tone, so let’s him talk, ask the questions, make the observations, quoting his lecture and his chapter « The cool obscure: the crisis of New Media » :
« Why is new media art perceived as an obscure and self referential subculture that is in the process of disappearing? Why is it so hard for artists that experiment with the latest technologies to be part of pop culture or contemporary arts? Why is so difficult to seek collaborations with scientists? Why did new media art miss out during the exuberant dotcom days and why do geeks an it millionaires prefer buying cars and other middle class baubles of consumption and turn their backs on their own art form? Why was Steve Dietz fired of the Walker Art Center, at the time of the dissolution of the net art program of this institution? Simultaneously as we can observe the disappearance of Public Netbase, the WWVideo Festival in Amsterdam, and as the ZKM largely abandoned the support of production, as the Australia council disbanded the New Media Arts Board. Is the educational sector the only way out for the new media arts actors? Is new media arts fallen into an abyss of misunderstanding? »
Well this last sentence is not a question in G. Lovink words but an assertion.
Don’t you feel already depressed? Or don’t you feel a little bit, or at all, concerned? Continue Reading »


