{"id":127,"date":"2005-10-13T19:46:50","date_gmt":"2005-10-13T17:46:50","guid":{"rendered":"http:\/\/news.constantvzw.org\/?p=127"},"modified":"2005-10-13T19:46:50","modified_gmt":"2005-10-13T17:46:50","slug":"curating-new-media-1610","status":"publish","type":"post","link":"https:\/\/news.constantvzw.org\/curating-new-media-1610\/","title":{"rendered":"Curating New Media -16\/10"},"content":{"rendered":"<p>ENG<br \/>\nSymposium<br \/>\nSunday 16\/10 &#8211; 14:00-18:00 , Nadine &#8211;  Brussels<br \/>\nOn the invitation of Dirk De Wit,<a href=\"http:\/\/www.iak.be\">IAK\/IBK<\/a>, in the framework of the argos festival, Laurence Rassel, member of Constant,  will be part of a discussion and series of presentations questioning the issue of &#8220;Curating New Media&#8221;. She will make a personal narration of the evolution of Constant&#8217;s practices in this field.<br \/>\ninformation on <a href=\"http:\/\/www.argosarts.org\">argos festival website<\/a><br \/>\nFragment from IAK\/IBK text:<br \/>\nThe digital world envelops us and is used by artists as a resource, as well as a medium. Too often, however, frames of reference are missing, for curators as wellas the audience. When it comes to describing the practical matters surrounding the presentation ofmany of these works, information and knowledge are scarce. How can organisations find new approaches \u00e2\u20ac\u201cpragmatic and philosophic \u00e2\u20ac\u201c in their goals of supporting, preserving and making available art practices? These questions ultimately lead to an insight: maybe the most interesting potential of curating and presentingnew media is how this might inherently alter the current habits of practice itself. Artists, exhibitionmakers, programmers and critics share their views and experiences during a symposium, also leaving room for debate with the audience<\/p>\n<p>NL<br \/>\nZondag 16 oktober 2005<br \/>\n14u tot 18u<br \/>\nIn Kunstencentrum Nadine, in het kader van het argosfestival<\/p>\n<p>Nieuwe media doen steeds vaker hun intrede in de werking en het programma van musea en culturele instellingen. Er ontstaan nieuwe vormen van culturele productie en processen, gebaseerd op samenwerking en informatiedeling. Hoe kunnen curatoren en culturele instellingen, traditioneel gefocust op vertoonbare kunstobjecten, daarmee omgaan, als mediator tussen kunstenaars en publiek? Al te vaak ontbreken immers referentiekaders, zowel voor curators als publiek. Wanneer het aankomt op de praktische kwesties rond het presenteren van veel van deze werken, is informatie en kennis schaars. Hoe kunnen organisaties nieuwe invullingen geven \u00e2\u20ac\u201c pragmatisch en filosofisch &#8211; aan hun taak van ondersteunen, bewaren en publiek maken van kunstpraktijken? Deze vragen leiden uiteindelijk tot een inzicht: misschien is het meest interessante potentieel van het curateren en presenteren van nieuwe media wel hoe het de huidige praktijk zelf inherent kan veranderen.<\/p>\n<p>Met: Jacob Lillemose (Artnode, DK), Iris Dressler (W\u00c3\u00bcrttembergischer Kunstverein Stuttgart, D), Sarah Cook (University of Sunderland, UK), Laurence Rassel (Constant, B), De Geuzen (NL, B) en Kobe Mathijs (Agentschap, B).<\/p>\n<p>Een organisatie van Digitaal Platform van de steunpunten<a href=\"http:\/\/www.iak.be\">IAK\/IBK<\/a>, in samenwerking met het argosfestival en met de steun van Nadine en Flanders Image<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ENG Symposium Sunday 16\/10 &#8211; 14:00-18:00 , Nadine &#8211; Brussels On the invitation of Dirk De Wit,IAK\/IBK, in the framework of the argos festival, Laurence Rassel, member of Constant, will be part of a discussion and series of presentations questioning the issue of &#8220;Curating New Media&#8221;. She will make a personal narration of the evolution [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/posts\/127"}],"collection":[{"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/comments?post=127"}],"version-history":[{"count":0,"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/posts\/127\/revisions"}],"wp:attachment":[{"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/media?parent=127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/categories?post=127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.constantvzw.org\/wp-json\/wp\/v2\/tags?post=127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}